The always-excellent SF Signal podcast recommends my story “The Telling” for a Hugo Award.
Jan 282013
I’ve been thinking about the non-trivial differences between a writer and a would-be writer—the trivial differences being writing anything at all, finishing that thing, and letting someone you wouldn’t trust with your life read it—and I think perhaps one such difference is: would-be writers find something of themselves in every character, and writers find something of every character in themselves.
I’ve sold my yeastpunk insurrection romance story “Lost Wax” to Asimov’s Science Fiction Magazine. It should be appearing sometime in early 2013. More details soon.
Dec 072012
My story “The Telling” is out now at Beneath Ceaseless Skies: read it for free on their website. It got a “Recommended” from Locus Magazine, and good reviews here and here.
Aug 182012
It’s with no small delight that I can announce that my short story The Telling has sold to the excellent Fantasy fiction website Beneath Ceaseless Skies. It should be appearing sometime in the second half of 2012; more info coming as I get it.
It’s been a busy month or two, and as usual I am playing catch-up here at the blog. My own big news is that I am now working at Lucasfilm Animation, on a soon-to-be announced project.
I’ve been busy on various projects for friends, including Dermot Power and his son Eolan with whom I am working on an exciting short film, Randy Gaul, and Tony McVey and his stop-motion short Gardens of Miranda, for which I did sound and music. I am looking forward to some exciting new video work with Jeff VanderMeer as well.
And I am finding time for writing here and there. I am particularly excited about a new novelette “Lost Wax” (see below for a now-out-of-date excerpt) and an SF short called “The Prisoner’s Cinema”. And I am poking again at a novel-length adaptation of my screenplay “Downside”.
I’m happy to report that my classmates from Clarion 2010 continue to publish remarkable stories. In 2012 alone, Kali Wallace and John Chu have stories in Asimov’s, Jenn Hsyu in Future Fire, Tom Underberg and Tamsyn Muir in Weird Tales, Tamsyn has another story in the new Nightmare, John another story in the Bloody Fabulous anthology, Kali also has stories in Weird Fiction Review and Lightspeed, Dustin Monk has stories in Shimmer and ODD?2, and nonfiction all over the place, and Karin Tidbeck has a story in Ann VanderMeer’s upcoming Steampunk Revolutions anthology as well as two books: Jagannath, a collection of her stories in English from Cheeky Frawg Books, as well as Amatka, her first novel in Swedish. Whew. I am sure I am missing something, and that by the time you read this there will be more new stories from these amazing writers.
Feb 082012
Masses of monsters! Bountiful beasts! It’s the Shared Worlds Critter Corral! I am delighted to have helped out with this fantastically cool project, part of a registration and fund drive in support of the Shared Worlds SF/F teen writing camp! It features all new flash fiction from Neil Gaiman, Michael Moorcock, Scott Westerfeld, Gene Wolfe, Patrick Rothfuss, Jeff VanderMeer, Ann VanderMeer, Lev Grossman, N.K. Jemisin, and on and on: a who’s who of speculative fiction including my wondrously talented Clarion 2010 colleague Karin Tidbeck.
Jeff VanderMeer conceived the idea, which was based around an image from the always astounding Jeremy Zerfoss. The delightful Teri Goulding compiled and edited the stories, and I did the web coding and contributed a small story of my own.
The image here is just a sliver of the wonders that await. Head over to Shared Worlds and explore. And if you like what you see—and I am sure you will—then consider leaving a donation to support these sort of projects and a truly great writing program.
I have been working on Gardens of Miranda, a stop-motion science fiction series from master sculptor and animator Tony McVey. Tony has worked on everything from Sinbad and the Eye of the Tiger with Ray Harryhausen to The Dark Crystal to The Return of the Jedi; I worked with him on Beowulf and A Christmas Carol at Disney. I worked with Tony in 2007 on his animation Skull Island, doing all the visual effects, sound design, and musical score. I’m doing the sound and music and the occasional odds and ends for Gardens of Miranda.
Here’s a preview of Episode One: the arrival at the mysterious planet and the introduction of one of our heroes: FE, the Flying Eye robot. Check his blog for pictures of some of the amazing puppets and props. And stay tuned for the final release of Episode One!
Feb 062012
I’ve got a stack of stories either cooling their heels in the slush or pacing the halls of my laptop waiting for delivery of a few more words. Here’s a glimpse of a few:
Feb 052012
I’ve had an odd winter so far, filled with unexpected efforts, fortuitous meetings, and strange diversions. A couple of exciting projects are going public in this coming week: a beastly bounty from the Shared Worlds Writing Camp and a stop (motion, that is) on the way to the mysterious Gardens of Miranda. I’ll be posting about them later in the week. So now seems like a good time to catch up with some of the things I’ve done in the last few months.
In December I did the design, artwork, and animation for the 
Cheeky Frawg Books website, working with Jeff and Ann VanderMeer, artist Jeremy Zerfoss (who did the Frawg logo and the wonderful book covers), and web guru Danny Fontaine. This is the same crew with whom I worked on my Myster Odd animation last summer, and it was once again a delight. In fact, the Cheeky Frawg site is based on Myster Odd’s writer’s garret. I designed and built the “set” with the Autodesk Maya software, using hand-painted textures and lighting to try to capture the quirky, timeless spirit of the Cheeky Frawg publications. There are a lot of odd easter eggs and free stuff on the site, so go ahead, poke through Myster Odd’s stuff! And while you are there, check out the catalogue for some extraordinary e-books and dare the ODD.
My novella “Slow Boat“, originally published in the July 2010 issue of Asimov’s Science Fiction, was reprinted in Russian in the November 2011 issue of Esli Magazine. There are a number of footnotes that seem to be addressing some of the obscure slang I threw in, or in some cases, simply made up; I imagine it was a head-scratcher to translate, but such is always the lot of the translator…
Check in tomorrow for an update on my stories-in-progress!